How I learned To Focus

shibori dyed silk using he shade colors

FOCUS

In 1998 a friend suggested I learn to dye fabric, then I could cover my books in silk. I enrolled at the University of Kentucky. Six weeks after starting classes my 26 year old son had a paralyzing accident.

When I first received the call from the emergency room nurse on September 11, 1998, I assumed she was telling me the worst so I wouldn’t be getting my hopes up. I listened as she stated Donnie's condition: collapsed lung, paralyzed, no brain damage. I knew he would pull through. And I knew I was strong and in control.

I marched through those steel gray emergency room doors as if to say: Come on Donnie we can handle this, let’s go on home. Of course we couldn’t—not with all those tubes and that paralysis. The first thing he said to me, the very first thing was, “I’m sorry.” That was before all the tubes were inserted and I’m sure neither one of us knew it would be weeks before any real conversation would take place and that I would learn to read lips and tell him things from some place inside me that could only be spoken then.

Several weeks later as he became stronger and only a few tubes remained in his arm and his throat and other hidden places under sheets that I could never see, we moved on to the mundane. Who will care for his dog while he’s in the hospital and can he live on his own, even if he is paralyzed? I didn’t even ask, can he? I simply assumed. 

"Should I quit school to take care of him," I asked myself. When I realized this was forever and we both had to learn to deal with it, I decided to stay in school and learned the most important lesson of my life: focus.

The only way I could manage classes and intensive care was going to be by picking one thing. I chose the Arashi Shibori technique for dyeing fabric. Not only did I make books, I began designing collections to wear at my performances. What I discovered was that when you wear art it changes your stance. No matter how you wear it, or fold it up in your lap, it is beautiful and has energy. 

ruana using old clothes in all the shades of shade.

Photo Shoot

Eco Topper using Shibori dyed Remnants

Eco Topper using Shibori dyed Remnants

Documenting is important.  And sometimes it has to be with our own camera or phone.  Mannequins are nice, but nothing like having a model.  Last week in M S Rezny's studio, Rupel Patel was an exquisite model bringing my newest designs to life.  Mary captured the movement, rhythm and depth of each piece.  I'm anxious to create more of these Eco Toppers. However, they are part of a long process.  First I have to felt more merino.  Then shibori dye it.  Then create a new design.  And then I will have the remnants I need to felt on top black wool and line with black crepe.  It's important that I remember my art is all part of a process that shapes itself by materials at hand, cannot be rushed and no step can be missed.