Dress Up

Grandmother raised seven children in a small house on a cotton farm in the Texas panhandle seven miles west of Matador.  She told stories of days gone by, of fine furniture and fancy clothes.  As a child when I went to visit she never put pots and pans on the supper table.  It was always “set” and when we went to town we dressed up.  Wearing my newly sewn dresses and my hair in curls, town folk would say. “Why you must be Stella Tilson’s granddaughter.”

Dressing up changes your stance.  

It is a power tool.  

It makes a statement.  

Not so much by wearing the latest fashion but by the way you layer what you have, whether it’s brand new or make-do. With conscious attention to textures and palette you create movement and balance.  You say:

I know who I am.  I know what I’m doing.

Growing up I learned to sew and shopping for fabric with my mother was a peak experience. It made perfect sense that I created clothing when I learned to shibori dye fabric.  Instead of buying patterns, I tear and piece the colors that speak to me.

When I see dressed up, 

in Sunday best or painted blue jeans

In paintings or photographs 

I see soft.

I see caring and tenderness.

I see take a stand.

I see power.

I see 

I know who I am.  

I know what I’m doing.

Risky Writing: Telling Stories About Difficult Situations As Pathways for Transformation

Several years ago when I visited my mother in west Texas I was looking forward to sharing with her my new experiences as a writer and organizing poetry readings.  It was a riskg conversation. There is confusion and frustration when it comes to writing and talking about controversial issues. At first, it appears easy to have an opinion regarding how you want to approach the subject. Then, after you have delved into the matter, it becomes clear how complicated the issue is and there are so many points of view. Read more. . .

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Kentucky Craft Market March 7-8

 

Work in progress. This is my favorite time of the year to create new work for Kentucky Crafted The Market.  A little bit I follow trends.  Like orange and blue and turquoise.  But following the seasons is more fun.  And since I consider my Truly Wearable Art  as a "Power Tool," it can be worn all year, any year, anywhere, when you want to make a statement.  After I Shibori pole wrap the silk or felted merino wool,  I create palettes to reflect the colors surrounding me; palettes that will compliment your wardrobe.  In late winter, early spring, I add a little bit of each colors compliment to my formulas as I prepare to drizzle the dye.  I am always amazed at how well the fabrics I dye blend with the natural scenes.  Be Bold. Be Striking. Take the risk to express your self.  Be prolific. It's worth it!

Triad

I love hot Kentucky days.  My devore silk dries fast.  Yesterday I pole wrapped 12 pieces of silk around six poles.  There were a variety of shapes.  Some were 22 x 80" which will become shawls or ponchos.  Some were 22 x 72" and will become infinity scarves.  Some were 44 x 44" and will become jackets.  Others were 44 x 60" and will become a cape.  I also am experimenting with 44 x40" which will become a bolero!  I dyed them all using the vinyl sulphon dyes in the triad colors of turquoise, fuchsia, and yellow orange.  Even though it is the same combination of colors, each piece will be different, either because of the pattern in the devore, or because the order of applying the dye is different.  That's what I love about color theory and shibori!

Pure Colors

The photo is for effect only.  The idea is to be playful.  The goal: not busy.  Dyeing several pieces in one palette is turning out to be inspiring.  Sewing began yesterday.  This jacket began as 44 x 44" devore fabric, pole wrapped and dyed using the Vinyl Sulphon pure color dyes in a triad of turquoise, fuchsia and yellow orange.  I like using the pure colors in summer.  Come fall I will move into tones, then shades for winter.

Choosing a Palette for Unity

The Goal is to be Not Busy!  And still produce results. 

Step 1.  Tear all pieces of silk to be dyed in one palette of colors.  I don't like to cut out patterns so everything I make is based on tearing, shibori dyeing and sewing.

Step 2.  Create a palette that incudes three colors.  This insures that there will be texture rhytmn in all my pieces. And because there are several different combinations, there will be variety, all of which contributues to a cohesive body of work. (There's that phrase again. "body of work!"  It's always important to be striving for a body of work.  That way you never get bored, no matter what your artform.)

Step 3.  Hang up an admire your creations so that you have eternal pleasure in your art making.  This collection is based on the triad and split triad of turquoise with a little seque into the analagous colors of red and and orange 

On Being Not Busy

The Goal is to be Not Busy!  And still produce results.  That's why I love this quote from my 10 year old grandson, Chuck Logsdon, "I can't and I won't are words of failure. Replace them with I can and I will for a guaranteed successful outcome." Yes! My strategy for slowing down is to dye entire collections in one palette of triads and split triads.  That way I don't have to think so much and can take more hikes in the woods.