Save Everything

 No Waste

 


My art is in the color, texture and depth.  It's where I ask what if.  Thus everywhere there is color there is art. Everywhere there is texture there is depth.  No waste means using everything I create.  These Shibori dyed pieces were the edges cut off a larger piece of hand felted merino, alpaca and silk.  They are the perfect length for wearable art.  I serged one edge and added my label.  Great to wear several at a time, or hang from a bamboo pole as a mobile. 

Since I always place at least three colors, or shades of one color of dye on the cloth.  This there is movement and depth.  The real pleasure attained using the Shibori technique is when you open each steamed package and discover the results!  The rules for making art are the same rules I apply to writing.

  1. Make rules
  2. Choose a palette/voice and stick with it
  3. Ask “What if?”
  4. Don't second guess

The secret to beautiful texture and blend of color is to not use too much dye by learning to read the flow of the dye in the same way a kayaker reads the river before descending over a 40 foot water fall.  The only way to repeat what you discover is to measure and make notes. (Sorta.  You can never really repeat with shibori. )

 
--> “My dear,” she said, “perhaps it is time for you to gather your authority and begin your journey living the layered life of an artist.  --from The Garden Girls Letters and Journal

Snow On The Way

Anticipating Spring


While these purple flowers are from the end of last summer, 
their spring like color is fuel for inspiration.

  
-->
Should I be surprised colors are such a large part of my process?  As I look back at another body of work, my memoir, The Garden Girls Letters and Journal, I rediscover that even my writing was laced with color.

Lavender in purple braids is empty handed, of course; she’s the philosopher.

 I carry him downstairs, his head resting on my shoulder, and fall into my old purple velvet overstuffed chair. With the towel cradling him I reach behind the chair for a book from the bookshelf and pull out "The Great Me and The Little Me." 

The porch is blue, the pansies are blue purple and the fuchsia is red purple. I had visions that we would sit on this porch and converse. They would be slow casual conversations somewhat meaningless, perhaps, because we would be relaxing. 
We would not be driven towards some kind of completion

A Body of Work

What is a body of work?

A collection that has a beginning and an end.  You never really know it is beginning when it is beginning  You only know by looking back and saying, "Ah yes, this is when this body of work began."  And you never know it has ended until it ends.  You only know by looking back and saying, "Ah, yes, that collection ended."  The important thing is that you collect it as a body of work. Define it.  Date it.  I am approaching an ending.  It began in late October when my formulas changed to tones and shades.  This shibori dyed, copper vest of alpaca, merino and silk was hand felted on the FeltLOOM.   Thank you +lanette@feltloom.com  My current body of work will probably end after the Kentucky Craft Market on Mar 2-3 and I begin to ponder colors and designs for summer and the next Lexington Fashion Collaborative Future of Fashion event.  It's always a pleasure working with +Soreyda Benedit Begley and +Sarah Estes to produce this event.

Power of Rotation

Power of Rotation

What you can do with a painting 
that you can't do with a wearable 
is rotate it if it's not working.  
What you can do with a wearable 
that you can't do with a painting 
is turn it inside out and wear it.
 What I'm doing with my paintings is rotating techniques.
After shibori dyeing pole wrapped felted alpaca and merino onto silk with the FeltLOOM
I'm taking remnants to another level by responding to the shibori line with metalic acrylic.
From +Danielle Wittler I'm learning the power of Irregular Design.
Today I turn my felted fabric inside out to make a vest with the silk side showing. 
 


Leftovers



What to do with the shibori dyed merino, alpaca and silk  felted leftovers after you've made a 
garment and you have all those beautiful remnants?   

I have begun experimenting.  I felt some on rug backings and embellish with beads and paints.  I make individual scarves out of some.  After hanging several strips on a hanger I'm intrigued with making a mobile after being inspired by my friend, Kathleen Obrien.


Irregular Design Completed

 At first I wasn't sure that I like the fact that the two front sides were not similar.  Now I like the contrast.  With the focus on color, this one has more green than I anticipated.  Thus leading me to using all yellow with purple and a dash of black next time for more copper, rust and olive.  I love color theory!  And I love irregular designs that become dramatic.

Another Challenge Presents Itself

Another Challenge Presents Itself

Both of these pieces started out by felting .25 alpaca/merino onto 44" silk gauze

After dyeing, steaming and rinsing, the one on the left was put in the washer on the drain spin only cycle. It is now 30" wide and

fulled

much  more tightly. The one on the left was line dried and is 37" wide and more soft. Hmmmm. I was going to make a coat so I guess I will re-wet the one on the right and drain spin it so they are both the same. The question is will the tighter fulling wear better?


Slowly, I'm getting back to my art making routine
Filling every station with a work in progress


Nuno felted merino and alpaca 
waits to be wrapped

Raw silk, rayon and cotton
Wait for a theme, a palette to descend upon me
More for summer? 
Tangerine Copper
 Or is it time to fall into winter? 
Blue Violet

Yesterday I dyed two 44" charmeuse silk scarves in rainbow colors
Today I start a fire in the wood stove
To hasten the drying

Black Fire



In preparation for my art opening the theme is Fire.  I'm trying to see how many different ways I can dye fabric, and make art within the concept of Fire. And in some cases I'm trying to see how large a piece of fabric I can make and shibori dye.  This piece of 1/4 pound merino and black devore silk is Nuno Felted on the FeltLOOM, pole wrapped, then shibori dyed in orange, red and purple.  The black side is the silk, the colorful side is the wool. Either side could be considered the "right side"  It started out being 45" by 72".  After felting and fulling the final size is 35" x 64" not including the natural edges which vary in size from 2 to 3 inches. This soft and beautiful piece of fabric can be used as a wrap, a throw, or hung on the wall.   Find it on Etsy     

Alpaca and Locks felted with Silk Chiffon

If you're wanting to dye Alpaca, nuno felted with silk, this is a wonderful fabric.  Soft, and very light weight.  Quarter pound alpaca batting and locks were felted with 8mm chiffon using the FeltLOOM.  This piece is not yet fulled making it great for dyeing that needs to be rinsed.  


Find it at Etsy

Fire, Alpaca and Silk Felted Yardage

For designers, collage artists, fiber artists.  Yardage!  Or is it yARTage?  Alpaca and silk, red, orange, purple, 40" x 32" excluding natural edges on three sides. Perfect for sewing project or embellished for wall art. Display it as is, or cut it up for your own art. Natural edges, vary from 1"to 4" and do not have any silk which makes it nice for felting.  $90     Find it on Etsy!

And Then Purple



What to do with leftovers?  I felted merino wool and silk using the FeltLOOM, then shibori dyed it in three shades of purple. These were remnants of a larger piece which became a vest. Wanting no waste, I overlapped the long strips and felted them again on the FeltLOOM. Could be worn as is as a scarf or tie, or cut into pieces for your own project. Natural, irregular edges are great for felting. The widest is 5.5”, the narrowest is 2”    
Find it on Etsy

Green Shibori Felted Merino and Silk Tie

What to do with the leftovers?  It's the same questions with meals.  After I've made something beautiful with the wool I felted on the FeltLOOM I have all these beautiful pieces of fabric.  Truly  there is no not art.  The fabric in pieces is as beautiful as the full piece.  I can't throw it away.  My most recent discovery is to felt these long pieces together using the FeltLOOM.  So fast, yet wonderfully funky, in its own way.  Four inches at the widest part, 2" at the most narrow.  Or cut it up.  It's okay with me, and make your own art!  Order it on Etsy

Wear It or Use It

Art is Everywhere
Make Art Now





Using your imagination, this could be a funky scarf, made on the FeltLOOM from scraps of leftover shibori dyed felted alpaca and merino wool and silk , or it could be art supplies for making your own art.   The widest part is 6.5”  the narrowest is 1”. The natural edges are alpaca and merino, the body is silk. The art is up to you!
Find it on Etsy

When the Weather Changes Everything Changes

Joe Pye, the weed, is falling down, he's so heavy, and the leaves are starting to turn, and it took over a week for the remnants of Irene's rain to finally stop.  Hence, the merino wool I dyed several days ago still hasn't dried.  It's always a debate; does the sun or low humidity dry fabric faster?  Since there was no sun, I put the poles inside hoping the dehumidifiers would soak up all the moisture.  They are still damp.  Hopefully the sun will come out soon to speed up the process.  Yesterday I used the FeltLOOM to felt 1/4 pound merino and silk gauze.  Today, in preparation for Julie's wearable art coat, I began my shibori process.  I wrapped the  felted merino and silk around four more poles, tied them with string, scrunched them tight, soaked each one in 1 part vinegar, 1 part water and a dash of synthrapol so they would better absorb the dye.  Another debate; how damp can they still be to not dilute the dye.  I always know when they were too damp by how much dripping there is.  Another fine line.  Sometimes the dripping blends the colors just right.  Julie wants the fire sunset color that I used before, only no fuchsia.   Fire Sunset is a combination of red, orange and purple.  Eliminating pink is tricky since purple contains fuchsia.  I added a little violet to the formula.  We shall see.

You Are Prolific!

Got scraps?  Have remnants?  Share them.  Sell them or give them away.  "You are prolific," my painting teacher, Marilyn Hamann, once said.  Sometimes we can hang on and save too much.  Too much stuff can hold us back.  Too much time spent moving it around.  Looking at it, thinking, someday I'm going to use this.....Today, I pack up and send this collection of  handfelted painted shibori alpaca and merino wool to my daughter, Danielle. Can't wait to see what she comes up with!